In “Lonely Narcissus” the key artistic ambition of Dou is to merge all the processes that constitute his self-identification — both as a human-being and as an artist — in a singular hyper-process. In this ideal super-process the actions performed by Dou-the-Artist will be indivisible from the actions of Dou-the-Human in respect to both their conceptual and mundane components. The unwanted division between public and private life will be also eliminated. Consequently, everything that is to be happening with Dou himself will be simultaneously real and dreamlike, important and unimportant, pronounced and disclosed; simultaneously relevant and irrelevant to life and art merged together. The actual biography of Oleg Dou at some point will begin to convert into mythology in real time. Real characters that once contributed to the peculiar formation of Dou’s identity — as if to be commemorated, or on the contrary, in order to be punished — will be turned into mutants by the artist himself. With the help photography, sculpture and installation Dou will turn these people into magical creatures, various colour swatches and rags of faded sensations. Everything here will be shameless and beautiful. To love. Unicorns. Skin. Hatred. Berries and beauty-spots. Pain and porcelain. Shady blue… Everything here will be simultaneously Dou.
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