Bogdan Ablozhnyy

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In his practice, Bogdan Ablozhnyy references writings, video installations, performances and sculpture as well as such specific genres as situation, black labour and unfinished novel, allowing for narrative and formal contradiction simultaneously encourage and impede identification. In his 0-landscape (2015) exhibition Ablozhnyy analyzes contemporary desires, physical alienation and mostly the state of modernity or supermodernity referring the book of Mark Auger Non-places. Introduction to supermodernity. According to Auger, supermodernity put on the stream production of the “non-places” – universal, non-anthropological spaces of communication, consumption and circulation with accelerated time, spaces, erasing an identity of the subject immersed in them. In this exhibition-hypothesis, Ablozhnyy analyzes the new state of the present through a landscape image of the non-place and questions – what can be an environment in the era of hyperconsumption, hypercommunication and superspeed.

Working on the THAT WASN’T A GAME project, that refers to the idea of plateau for action, thought, intimacy, perception and change and that was realized in a series of events and installments, Ablozhnyy became a recipient of the Writings and Research residency at Interstate Projects, NY. Through experimenting with this project and using its scenario as first drafts Ablozhnyy is working on his book Ideas on Relative Motion. Bogdan Ablozhnyy lives and works in Saint Petersburg and Frankfurt am Main.

Decades,
Bogdan Ablozhnyy, Andrey Bogush

CV.pdf

Bogdan Ablozhnyy

Born 1994 in Russia
Lives and works in Saint-Petersburg and Frankfurt am Main

Education
2017 – Städelschule (prof. Judith Hopf), Frankfurt am Main, Germany
2012 – 2016 BA in General Linguistics, Hertzen State University, Saint-Petersburg, Russia
2001 – 2010 Velsk School of Arts, Velsk, Russia

Solo Exhibitions
2016 2015
Städelschule (prof. Judith Hopf), Frankfurt am Main, Germany
BA in General Linguistics, Hertzen State University, Saint-Petersburg, Russia
Velsk School of Arts, Velsk, Russia
Three Billion Perverts on the Sand x Mori Yoshida, Paris 0-landscape, Winzavod Center for Contemporary Art, Moscow

Group Exibitions, Screenings & Performances
2018 Rundgang, Städelschule Frankfurt, Frankfurt am Main
2017 Decades, with Bogdan Ablozhnyy, Osnova Gallery, Moscow, Russia
2017 Camino Events, Research Pavilion, Venice
2017 Sound Acts, Athens
2017 CITIZENFIVE, Art Athins, International Art Fair of Athens
2017 Rethinking Digitalization, Exhibition Laboratory, Helsinki
2017 THAT WASN’T A GAME vol. II, Bikini Art Residency, Como
2016 Designed by a Cyborg, OVERTONE, Moscow
2016 Planned Obsolescence, V Moscow Biennale for Young Art
2016 Cinematic Migrations, Fondazione Antonio Ratti
2015 In collaboration with Marina Abramovic Institute Hudson
2015 HOW TO BECOME UNHEART IN ORDER NOT TO BE SILENCED
Residencies
2017 Army of Love workshop, Utrecht, Netherlands
2017 Bikini Art Residency, Como, Italy
2017 Writings & Research Residency, Interstate Projects, New York, USA
2016 Fondazione Antonio Ratti – XXII CSAV Cinematic Migrations, Artists
Research Laboratory with Renee Green, Como, Italy 2016 Centro Arti Visive Pietrasanta, Italy
2014 Shifting dialogues III Documenting Asian Art and Performance: Embodied Knowledge, Virtuality & the Archive, Theater Academy, Helsinki, Finland

Academic Writings and Publications
2016 Metatext as a Means of Identifying Lacunas, thesis, Hertzen State University, Saint-Petersburg, Russia
2015 Translation Problems Associated with Implicit Lacunas (on the materials of V.V. Bibikhin’s translation of M. Heidegger), diploma, Hertzen State University, Saint-Petersburg, Russia
2014 Animism in the Primitive Tradition, Hertzen State University, Saint- Petersburg, Russia

Three Billion Perverts on the Sand avec Eliot Chaplin x Mori Yoshida, Paris, August 2016

Cinematic Migrations residency at Fondazione Antonio Ratti, Como, Italy, July 2016 (a blanket to sleep outside in the day of bird’s funerals, 2016, 225 x 175 x 300 (silk, caked mud, clay, sticks))

Bogdan Ablozhnyy
Cinematic Migrations residency at Fondazione Antonio Ratti, Como, Italy, July 2016

Cinematic Migrations residency at Fondazione Antonio Ratti, Como, Italy, July 2016 (Untitled, 2016 (video, 10 min))

THAT WASN’T A GAME vol. ii, performance (3-channel video projection, sound, scent, writings), Bikini Art Residency, Como, Italy, February 2017

Rethinking Digitalization, Exhibition Laboratory, Helsinki March – Aril 2017

Rethinking Digitalization, Exhibition Laboratory, Helsinki March – Aril 2017

CITIZENSFIVE, Video Screening program of Art Athina, International Art Fair of Athens, May 2017

Planned Obsolescence, V Moscow International Biennale for Young Art; July – August 2016

Planned Obsolescence, V Moscow International Biennale for Young Art; July – August 2016

Planned Obsolescence, V Moscow International Biennale for Young Art; July – August 2016

Planned Obsolescence, V Moscow International Biennale for Young Art; July – August 2016

landscape, Winzavod Center for Contemporary Art, Moscow April – June 2015

landscape, Winzavod Center for Contemporary Art, Moscow April – June 2015

landscape, Winzavod Center for Contemporary Art, Moscow April – June 2015

Decades, Bogdan Ablozhnyy, Andrey Bogush

Bogdan Ablozhnyy, Andrey Bogush: Decades

24 October – 19 November 2017


Car mon pis et mon mieux Sont les plus deserts lieux? ** ** Because all my worst and all my best are the most desert places? (fr.) Border policemen are …

Artworks & Files

Your Foreign Lands (2016) film, 28 min

https://vimeo.com/ablozhnyy/yourforeignlands

Untitled (2016) film, 10 min

https://vimeo.com/196080665

Phonenumbers (2017) video, 3:40 min, 1:40 min

https://vimeo.com/209210135

https://vimeo.com/142021930

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